Anna Calvi - Albert Hall, Manchester, 6/2/2014
by Mary O'Meara
published: 23 / 2 / 2014

intro
Mary O'Meara watches Anna Calvi play an intense but enthralling set in a hypnotic show at the Albert Hall in Manchester
Tonight the streets of Manchester are drenched with glistening rain drops, and along with the shimmer of street lights our path seems paved with gold. There’s that kind of feeling you’re gliding rather than walking and that’s a very fitting feeling with which to enter the newly renovated Albert Halls, a cavernous church complex that’s thankfully been salvaged and transformed into a performance space rather than abandoned like so many derelict and lonely inner city buildings. This shimmery, flickering feeling extends like a trail leading to the stage where it will explode into shards of pure white light revealing the strikingly elegant figure of Anna Calvi. Like many women, I expect, I’m impressed by her standing before us in what look like six inch stilettos and maintaining such poise and control throughout her performance. And, of course, she wasn’t just standing there – she was wielding various guitars around like they were instruments of both torture and comfort. Sometimes the guitar snapped like a wild animal, sometimes she rocked with it, cradled it, like she was lulling a baby to sleep. Opening track 'Suzanne and Me' is one of my favourites. It’s the way that guitar uncoils and slithers through the belly of the song, not orderly, not polished, just instinctive and enrapturing. I’m always especially pleased when an artist starts with a track I particularly love. It’s like some sort of telepathic affirmation that you’re supposed to be here. And so glad I was. Perhaps it was because of her shoes, or maybe it’s just the way she prefers to perform but part of me kept half expecting or hoping that Anna would leap up on a speaker or take a manic run towards the stained glass windows. Maybe that’s because she frequently gave me the impression of being a wild cat, a leopard or tiger ready to pounce, roar or run. The roar she did marvellously. Roar doesn’t do her justice. She doesn’t just open her mouth and roar. She opens her mouth and the sound of her soul just bursts out, at times gloriously amplified, at others, gentle as the most intimate of whispers. On hindsight, maybe her stillness increased her intensity. Stillness can do that, and build like a ticking time bomb until the artist suddenly unleashes the beast, either vocally or via her gutsy guitar. The set list mixes material from her first and current album along with two astonishing covers. Bruce Springsteen’s 'Fire' is delivered with Anna’s characteristic precision and control, managing to mingle a sense of sizzling heat and cold denial, with fire clearly winning out in the end. The other cover, 'Jezebel', which was Calvi’s first release, she has stamped as her own. It tears through the venue like a life-threatening cyclone, demented, desirous, determined to blast through every atom of trapped emotion huddling in these halls tonight. Miss Calvi speaks very few words whilst on stage, but quite honestly there is no need for trivial banter considering she’s bared her entire soul and transported her audience to places they probably never expected to go. After the storm, silence, like the pavements, is golden. Anna Calvi knows the power of this, just as she knows the power of light and the medicine of music to slash through a curtain of darkness. Photos by Melanie Smith www.mudkissphotography.co.uk
Also at Albert Hall, Manchester
Article Links:-
http://www.mudkissphotography.co.ukBand Links:-
http://annacalvi.com/https://www.facebook.com/annacalvi
https://twitter.com/annacalvi
Picture Gallery:-





photography |
Photoscapes (2019) |
![]() |
Andrew Twambley photographs singer-songwriter and guitarist Anma Calvi in a headline show at a new two-day Wirral-based festival Future Yard. |
reviews |
Anna Calvi (2011) |
![]() |
Captivating and distinctive eponymous debut album from timeless-sounding London-based singer-songwriter, Anna Calvi |
most viewed articles
current edition
Pennyblackmusic - Writers and Photographers' Albums of the Year 2024Peter Perrett - In Dreams Begin Responsibilities Interview Part One
Man From Delmonte - Interview
Clive Langer - Interview
Pennyblackmusic - Book of the Year Award 2024
Johnnie Johnstone - Interview
Marianne Faithfull - Reflections
Laura Nyro - Profile
Johny Brown - Corpse Flower
Vinyl Stories - Vinyl 2024
previous editions
Heavenly - P.U.N.K. Girl EPMichael Stuart Ware - Pegasus Epitaph: The Story of the Legendary Rock Group Love
Trudie Myerscough-Harris - Interview
Marianne Faithfull - Interview
Dwina Gibb - Interview
Joy Division - The Image That Made Me Weep
Beautiful South - Ten Songs That Made Me Love...
Henry McCullough - Interview
Peter Paul and Mary - Interview with Peter Yarrow
Marianne Faithfull - Interview
most viewed reviews
current edition
Dorie Jackson - Stupid Says RunRingo Starr - Look Up
Beabadoobee - This is How The World Moves
Pixie Lott - Encino
Dusty Springfield - The BBC Sessions
Unthanks - In Winter
Joan Armatrading - How Did This Happen and What Does It Mean?
Oïmiakon - Comptoir Des Vanites
Rosie Lowe - Lover, Other
Emily Burns - Die Happy
Pennyblackmusic Regular Contributors
Adrian Janes
Amanda J. Window
Andrew Twambley
Anthony Dhanendran
Benjamin Howarth
Cila Warncke
Daniel Cressey
Darren Aston
Dastardly
Dave Goodwin
Denzil Watson
Dominic B. Simpson
Eoghan Lyng
Fiona Hutchings
Harry Sherriff
Helen Tipping
Jamie Rowland
John Clarkson
Julie Cruickshank
Kimberly Bright
Lisa Torem
Maarten Schiethart