Miscellaneous - July 2012
by Benjamin Howarth
published: 4 / 7 / 2012
intro
Ben Howarth in 'Condemned to Rock 'n' Roll' writes about Sweet Billy Pilgrim's new album, 'Crown and Treaty', which has proved to be an instant classic
How nice it has been to listen to the new (ish) album from Sweet Billy Pilgrim, 'Crown and Treaty', these last few weeks. And I’ve been listening to it a lot. Rare indeed are those times when a record utterly confounds expectation. I’ve got used to buying albums, having loved the band’s previous work, only to find my standards have become impossibly high and I can’t ever like the new songs as much. It’s a joy when the opposite happens – having merely liked what I’ve heard of Sweet Billy Pilgrim in the past, I’ve fallen completely in love with their new album. And I don’t seem to be the only one. 'Mojo' have given it one of their ‘Mojo Instant Classic’ badges, 5 gold stars and call it a “stone masterpiece”. The BBC, meanwhile, think it is “quite simply glorious”, while 'All About Jazz' call Sweet Billy Pilgrim “the thinking person’s pop group”. In 2009 'Twice Born Men' got them a nod from the Mercury Music Prize panel (in the ‘band you’ve never heard of who won’t win it’ category), but this time, they will surely be one of the favourites to win. Their likable singer Tim Elsenburg has emerged as a songwriter of the highest class. He combines a neat turn of phrase with a gift for the big, bold universal sentiment. Rather than batter the listener over the head, the intellectual elements to Sweet Billy Pilgrim’s music reveal themselves to you slowly. It’s always better that way. 'Crown And Treaty' takes Sweet Billy Pilgrim to that nice place where questions of genre are irrelevant. Admittedly, most reviewers make a comparison with Elbow. There are some obvious similarities between the two, with both having waited for success long into their thirties, and consequently writing the kind of songs about friendship and family a recent Brit school graduate simply can’t. Both bands also have a natural, if subtle, musicality. Sweet Billy Pilgrim would be less than half the band they are without the propulsive rhythm section of Anthony Bishop and Alastair Hamer (who, in another life, would have been playing in a funk band), while delicate guitar passages are integral to every track. But, while on their last record they blended lots of styles, there were clearly folk sections and post-rock sections. Now, they come to a magic career point that only happens to the luckiest bands, when they sound like no-one but themselves (think, for example, of the Beatles from 'Rubber Soul' onwards, Steely Dan with 'Aja', the Smiths with 'Meat is Murder', Radiohead with 'Kid A'.) It’s worth noting the comparative modesty of the circumstances that led to Sweet Billy Pilgrim being able to make their masterpiece. The Mercury nomination didn’t see the band touring arenas or recording at Abbey Road. But it was enough to secure Elsenburg “a small publishing advance”, allowing him to give up his day-job and write music full time. The band, having previously recorded in a shed at the end of Elsenburg’s garden, this time moved into a bungalow. There was a time when a band who could boast a Mercury nomination and a five-star review in a national magazine would be spending July rehearsing for the main stages at Reading and V. Instead, they will be playing to a few hundred people in Shepherd’s Bush. Our increasingly fragmented music industry seems to have lost the ability to build overnight fanbases, even for potential classics. But, make no mistake, Sweet Billy Pilgrim have made one of ‘those’ albums – the kind where you get to know every note and hit the play button again as soon as the last track stops. Spread the word. This one is too good to miss.
Also In Condemned to Rock 'n' Roll
Miscellaneous (2015)
Miscellaneous (2015)
Miscellaneous (2015)
Miscellaneous (2015)
Miscellaneous (2014)
Miscellaneous (2014)
Miscellaneous (2014)
Miscellaneous (2014)
Miscellaneous (2014)
Miscellaneous (2014)
Miscellaneous (2014)
Miscellaneous (2014)
Miscellaneous (2014)
Miscellaneous (2014)
Miscellaneous (2014)
Miscellaneous (2013)
Miscellaneous (2013)
Miscellaneous (2013)
Miscellaneous (2013)
Miscellaneous (2013)
Miscellaneous (2013)
Miscellaneous (2013)
Miscellaneous (2013)
Miscellaneous (2013)
Miscellaneous (2013)
Miscellaneous (2012)
Miscellaneous (2012)
Miscellaneous (2012)
Miscellaneous (2012)
Miscellaneous (2012)
Miscellaneous (2012)
Miscellaneous (2012)
Miscellaneous (2012)
Miscellaneous (2011)
Miscellaneous (2011)
Miscellaneous (2011)
Miscellaneous (2011)
Miscellaneous (2011)
Miscellaneous (2011)
Miscellaneous (2011)
Miscellaneous (2011)
Miscellaneous (2011)
Miscellaneous (2011)
Miscellaneous (2011)
Miscellaneous (2010)
Miscellaneous (2010)
Miscellaneous (2010)
Miscellaneous (2010)
Miscellaneous (2010)
Miscellaneous (2010)
Miscellaneous (2010)
Miscellaneous (2010)
Miscellaneous (2010)
Miscellaneous (2010)
Miscellaneous (2010)
Miscellaneous (2009)
Miscellaneous (2009)
Miscellaneous (2009)
Miscellaneous (2009)
Miscellaneous (2009)
Miscellaneous (2009)
Miscellaneous (2009)
Miscellaneous (2009)
Miscellaneous (2009)
Miscellaneous (2008)
Miscellaneous (2008)
Miscellaneous (2008)
Miscellaneous (2008)
Miscellaneous (2008)
Miscellaneous (2008)
Miscellaneous (2008)
Miscellaneous (2008)
Miscellaneous (2008)
Miscellaneous (2008)
Miscellaneous (2007)
Miscellaneous (2007)
Miscellaneous (2007)
Miscellaneous (2007)
Miscellaneous (2007)
Miscellaneous (2007)
Miscellaneous (2007)
Miscellaneous (2007)
Miscellaneous (2007)
Miscellaneous (2007)
Miscellaneous (2007)
Miscellaneous (2006)
Miscellaneous (2006)
Miscellaneous (2006)
Miscellaneous (2006)
Miscellaneous (2006)
Miscellaneous (2006)
Miscellaneous (2006)
Miscellaneous (2006)
Miscellaneous (2006)
most viewed articles
current edition
In Dreams Begin Responsibilities - #15- On Being Dignified and Old aka Ten Tips From Jah Wobble On How To Be Happy.Dennis Tufano - Copernicus Center, Chicago, 19/7/2024
Elliott Murphy - Interview
Wreckless Eric - Interview
Adrian Gurvitz - Interview
In Dreams Begin Responsibilities - #16: Living in the Minds of Strangers
In Dreams Begin Responsibilities - #17: Tom Robinson
Norman Rodger - Interview
Chris Spedding - Interview
Penumbra - Interview
previous editions
Heavenly - P.U.N.K. Girl EPIn Dreams Begin Responsibilities - #5 - ‘We all have good intentions/ But all with strings attached’: Music and Mental Health Part 2
Trudie Myerscough-Harris - Interview
Allan Clarke - Interview
Dwina Gibb - Interview
Madeline Bell - Interview
Joy Division - The Image That Made Me Weep
Beautiful South - Ten Songs That Made Me Love...
Sound - Interview with Bi Marshall Part 1
Jimmy Nail - Interview
most viewed reviews
current edition
Groovy Uncle - Making ExcusesBill Wyman - Drive My Car
Hawkestrel - Chaos Rocks
Philip Parfitt - The Dark Light
Deep Purple - =1
Ross Couper Band - The Homeroad
Jules Winchester - The Journey
John Murry and Michael Timmins - A Little Bit of Grace and Decay
Popstar - Obscene
Splashgirl and Robert Aiki Aubrey Lowe - More Human
Pennyblackmusic Regular Contributors
Adrian Janes
Amanda J. Window
Andrew Twambley
Anthony Dhanendran
Benjamin Howarth
Cila Warncke
Daniel Cressey
Darren Aston
Dastardly
Dave Goodwin
Denzil Watson
Dominic B. Simpson
Eoghan Lyng
Fiona Hutchings
Harry Sherriff
Helen Tipping
Jamie Rowland
John Clarkson
Julie Cruickshank
Kimberly Bright
Lisa Torem
Maarten Schiethart