Rose Kemp - Violence
by Emma Dawson
published: 10 / 12 / 2006

Label:
One Little Indian
Format: CDS
intro
Stunning nerve-wrought One Little Indian debut single from Cumbrian songstress, Rose Kemp
One Little Indian have a real find on their hands in the shape of the Cumbrian songstress, Rose Kemp, a solo artist armed with a powerful, sultry voice that beautifully conveys both anxiety, melancholy and fragility that effortlessly conveys her elusive and unsettling lyrics. The opening track, 'Violence', has been around in some form for a while now and it’s pleasing to see it finally released. It’s a rich, dark, paranoid four minutes of both absorbingly quiet stretches, pregnant with foreboding and anticipation, and cathartic electric guitar pummelling, overlaid with Rose’s beautifully restrained vocals. 'Morning Music' is a far more straightforward affair, tender and emotional, yet still done without any lyrical compromise. The EP finishes with ‘Tiny Flower’, a brief, yet hypnotic foray into KT Tunstall territory of looped, layered, a capella vocals, although here Rose easily manages to out-do her with the power of her compelling voice.
Track Listing:-
1 Violence2 Morning Music
3 Tiny Flower
Label Links:-
http://www.indian.co.uk/https://www.facebook.com/olirecords
https://twitter.com/olirecords
http://www.songkick.com/users/onelittleindian
https://www.youtube.com/user/onelittleindian
https://plus.google.com/+OneLittleIndianRecords
interviews |
Interview (2008) |
![]() |
In a second interview with Pennyblackmusic, Bristol-based singer-songwriter Rose Kemp Rose Kemp speaks to Sarah Johnson about her just released third album, 'Unholy Majesty', which has come out on One Little Indian, and the procs and cons of being a professional musician in internet culture |
reviews |
Unholy Majesty (2008) |
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Intense, but innovative third album from Cumbria-born singer-songwriter Rose Kemp, whose eclectic range of influences on it expand from Regina Spektor to Vashti Bunyan, Led Zeppelin to Tool and PJ Harvey to Rage Against The Machine, and which proves to be her most exprimental album to date |
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