Fight Like Apes - Cockpit 3, Leeds, 5/3/2009
by Russell Ferguson
published: 19 / 3 / 2009
intro
Russell Ferguson watches Dublin-formed art rockers Fight Like Apes play a confused and disjointed, but somehow enjoyable set at the Cockpit 3 in Leeds
Tonight's gig is in the Cockpit 3. I was at a loss as to where in the Cockpit Stage 3 was. To my surprise it is the top part, which is usually reserved for drinking. As small a room as it is, it is full, but not so full you cannot breathe or move. Being at the back I am not able to see a lot, but that’s my fault for not getting there earlier. Fight Like Apes take to the stage and they start with a soft mellow introduction which has lead singer Maykay lost in her own little world with her eyes closed and drifting along with the notes. It has to be said that I never thought I would see a hippy Goth with candyfloss hair, but she looks very striking. The introduction drifts along for a few minutes. It has a strong bass feel to it all, but then, before you know it, it all kicks into gear going from zero to one hundred in two seconds. Right from the start the crowd get into things very quickly, despite Fight Like Apes having made very few in roads under the radar of the mainstream music press. By the time they start to play the second song Adrian, the drummer, is standing up and using to roof as a drum to get the crowd to clap in time with the beat. Needless to say the audience joins in without much coaxing. By ‘It’s Not Nice’ everyone is taking part in the gig and either enjoying the gig or joining in as much as they can. There are times when Fight Like Apes sound like Paramore. They fluctuate towards bands like At The Drive In in their influences and in having released with 'Fight Like Apes and the Mystery of the Golden Medallion', their debut album of last year, an art punk record. You can see the more arty side of music influencing their sound, and bands as well such as Pavement, Yo La Tengo, Mclusky, My Bloody Valentine, Chapterhouse and Devo, all of whom have had a quirky sound and didn’t really follow the rock ‘n’ roll formula. Their sounds start off in a slow way and then gathers speed and power. It is a format that they use a little too much for my liking and after five songs you know what is likely to come next. That said though it is good to hear something that isn’t prepared to follow the norm and is trying to be different. The keyboards have a fairground sound to them at times and this just adds to the quirkiness. You wonder if keyboardist Pockets (he has a habit of pocketing cigarettes lighters apparently and hence the name) has done this to be at odds with the other instruments and to cause friction. The gig flows on easily enough with the crowd enjoying the banter that goes back and forth between them and the band. At one point Maykay says "What fun this is !’ and I think everyone here tonight is thinking the same thing. I find Fight Like Apes too disjointed for me. I prefer something more easy to tap into, but there is nothing wrong with seeing someone who is determined to break out of the norm. They play well enough and are tight enough to make the gig enjoyable for the crowd. The set ends after eleven songs, which is way too short for the crowd and too short for me. The encore is a confused affair with both crowd and band unsure of what to do. Some people start to leave and that seals the problem for everyone with the band finally deciding not to have an encore. For me the last two minutes of the gig sums up Fight Like Apes for me, unsure, confused and disjointed but somehow enjoyable. It does no harm to be taken out of your comfort zone, but I doubt I’ll bother catching Fight Like Apes anytime in the future soon. It was good while it lasted but it is not for me.
Picture Gallery:-
live reviews |
Proud Galleries, London, 22/5/2008 |
At the Proud Galleries in London, Anthony Dhanendran watches Dublin indie-punks Fight Like Apes play an incoherent, but catchy and ultimately genre-defying set |
reviews |
The Body of Christ and the Legs of Tina Turner (2011) |
Abrasive second album from Irish group Fight Like Apes, who combine sugarsweet pop hooks with four letter words and nasty lyrics |
Jake Summers (2007) |
most viewed articles
current edition
In Dreams Begin Responsibilities - #15- On Being Dignified and Old aka Ten Tips From Jah Wobble On How To Be Happy.Dennis Tufano - Copernicus Center, Chicago, 19/7/2024
Elliott Murphy - Interview
Wreckless Eric - Interview
In Dreams Begin Responsibilities - #16: Living in the Minds of Strangers
Adrian Gurvitz - Interview
In Dreams Begin Responsibilities - #17: Tom Robinson
Norman Rodger - Interview
Chris Spedding - Interview
Penumbra - Interview
previous editions
Heavenly - P.U.N.K. Girl EPIn Dreams Begin Responsibilities - #5 - ‘We all have good intentions/ But all with strings attached’: Music and Mental Health Part 2
Trudie Myerscough-Harris - Interview
Allan Clarke - Interview
Dwina Gibb - Interview
Joy Division - The Image That Made Me Weep
Beautiful South - Ten Songs That Made Me Love...
Jimmy Nail - Interview
Nerve - Interview
One Thousand Violins - Interview
most viewed reviews
current edition
Groovy Uncle - Making ExcusesPhilip Parfitt - The Dark Light
Hawkestrel - Chaos Rocks
Jules Winchester - The Journey
Deep Purple - =1
Bill Wyman - Drive My Car
Ross Couper Band - The Homeroad
Popstar - Obscene
John Murry and Michael Timmins - A Little Bit of Grace and Decay
Splashgirl and Robert Aiki Aubrey Lowe - More Human
Pennyblackmusic Regular Contributors
Adrian Janes
Amanda J. Window
Andrew Twambley
Anthony Dhanendran
Benjamin Howarth
Cila Warncke
Daniel Cressey
Darren Aston
Dastardly
Dave Goodwin
Denzil Watson
Dominic B. Simpson
Eoghan Lyng
Fiona Hutchings
Harry Sherriff
Helen Tipping
Jamie Rowland
John Clarkson
Julie Cruickshank
Kimberly Bright
Lisa Torem
Maarten Schiethart