Coal Porters - Union Chapel, London, 16/2/2014
by Anthony Dhanendran
published: 23 / 2 / 2014

intro
Anthony Dhanendran watches bluegrass outfit the Coal Porters play a gripping set at an afternoon gig at The Union Chapel in London
To the initiate, bluegrass music comes close to being a religion. It has transcended its beginnings in the hills of American Appalachia and it speaks to an unlikely impulse in our modern lives – one that hearkens back to earlier, simpler times. And what better place is there in which to have a spiritual experience than a working chapel? That’s what brings us to Islington’s Union Chapel on an unusually fair-weathered Sunday afternoon in the middle of a rainy, flooded February. The draw is the Coal Porters, a modern bluegrass act led by the legendary country man Sid Griffin, late of the Long Ryders and latterly to be found as BBC Radio’s go-to bluegrass enthusiast. The band take the stage, sharply dressed in grey suits, and with Sid jauntily sporting a tartan tie and carrying a mandolin. They may not look like hillbillies – double-bass player Tali Trow has long hair and a bushy beard while banjo man John Breese is clipped of hair and beard, and fiddler Carly Frey wears a businesslike grey dress – but they can certainly play the music, and like all good country acts they’re having fun on stage. For the first three songs, Sid, Tali and Carly take turns on lead vocals, giving the packed hall what it wants – good, honest folk music, but not stuck in the past. As with the Long Ryders, the Coal Porters are resolutely modern in their outlook, and sound like a wonderful synergy of a 1950s sensibility with 21st century music and lyrics. That’s borne out – albeit via the 1970s – by the fourth number, which Sid introduces amid much shuffling within the band (he explains that because they’re temporarily a foursome there’s some rearranging to do between songs) that this was “the single” from the band’s most recent record. It turns out to be a lovely acoustic arrangement of David Bowie’s ‘Heroes’, in which Tali takes the first verse and Carly the second, with all the while Sid standing at the back, throwing his head back to howl backing vocals. The effect, which would be powerfully arresting in the night, is considerably more jarring at a bright 4 p.m., though it loses none of its potency for being robbed of its cover of darkness. ‘Betsey Trotwood’, dedicated to the tiny subterranean London venue, is an old-fashioned and beautiful acoustic breakdown written by Breese which somehow evokes Aaron Copland’s ‘Fanfare for the Common Man’ in its cadences. So having introduced the Coal Porters as a bluegrass band, I find that description somehow lacking. True, live they are more down-homey than they are on record – especially as they all sing harmonies leaning into the single old RCA-style microphone on the small wooden stage – but still the band display a grasp of songwriting and musicianship for which most ‘rock’ acts would sell their drummer’s arms. The show ends with the whole band off the stage and in the audience and, finally, Sid standing on a table and taking the whole crowd with him. The Coal Porters – based in London, which somehow befits the Americana rather than clashing with it – are on tour at the moment and are thoroughly, whole-heartedly recommended.
Also at Union Chapel, London
Picture Gallery:-

most viewed articles
current edition
Peter Doherty - Blackheath Halls, Blackheath and Palace Halls, Watford, 18/3/2025 and 21/3/2025Armory Show - Interview with Richard Jobson
Liz Mitchell - Interview
Deb Googe and Cara Tivey - Interview
Lauren Mayberry - Photoscapes
Max Bianco and the BlueHearts - Troubadour, London, 29/3/2025
Maarten Schiethart - Vinyl Stories
Clive Langer - Interview
Sukie Smith - Interview
Kim Wilde - Photoscapes
previous editions
Heavenly - P.U.N.K. Girl EPBoomtown Rats - Ten Songs That Made Me Love....
Trudie Myerscough-Harris - Interview
Doris Brendel - Interview
Beautiful South - Ten Songs That Made Me Love...
Kay Russell - Interview with Kay Russell
Dwina Gibb - Interview
Pulp - Ten Songs That Made Me Love...
Sound - Interview with Bi Marshall Part 1
Jay Reatard - Interview
most viewed reviews
current edition
Davey Woodward - Mumbo in the JumboNigel Stonier - Wolf Notes
Wings - Venus and Mars
Only Child - Holy Ghosts
Kate Daisy Grant and Nick Pynn - Songs For The Trees
Neil Campbell - The Turnaround
Philip Jeays - Victoria
Darkness - Dreams On Toast
Suzanne Vega - Flying With Angels
Charles Ellsworth - Cosmic Cannon Fodder
Pennyblackmusic Regular Contributors
Adrian Janes
Amanda J. Window
Andrew Twambley
Anthony Dhanendran
Benjamin Howarth
Cila Warncke
Daniel Cressey
Darren Aston
Dastardly
Dave Goodwin
Denzil Watson
Dominic B. Simpson
Eoghan Lyng
Fiona Hutchings
Harry Sherriff
Helen Tipping
Jamie Rowland
John Clarkson
Julie Cruickshank
Kimberly Bright
Lisa Torem
Maarten Schiethart