The contribution that is the most hauntingly beautiful in the Front & Follow series so far comes from the Doomed Bird of Providence with 'In the Terror of the Moment'. They masquerade as a baroque music chamber ensemble. Almost as if performing sailor tunes, their minimalistic orchestrations, however, strike different chords. For example, 'Safety at Sea' builds on the acoustics generated by turbulence at a subway station. Such sounds, at least when written about in words, remain unnoticed until now and when they were recorded. The soaring accordéon and what-not-sound combine into a small philharmonic orchestra to portray these minimalistic compositions. The violinist meanwhile appears to have gone into isolation after making a few initial appearances. This EP is certainly amongst the most challenging music that I have heard this week, and puzzled me. It is prettily peculiar, and in a sense is what you might get to hear when minimalist musicians adapt and become subway platform musicians. Enjoy the sketchy waltzes but mind the gap.