Dear Jon,
I hate to break this to you; you're just about as far from the truth as can be. Common consensus? Mon cul. Pardon my French.
One of the first punk singles on Rough Trade was one from Metal Urbain, house music has received tremendous impulses from Daft Punk, Laurent Garnier and these are only a few examples of how very wrong you are.
Your remarks were uncalled for, and more importantly, those are very wrong.
France does have a great tradition in pop music (music being a French word by the way). Not just because of the Afro-french culture, think of the very rich history of Western Africa (Amadou et Mariam to name but one) - think of Manu Chao and Rachid Taha too. People like Fatboy Slim are cheap imposters, though succesful.
On top of that, rock'n roll might not have occured if it hadn't been for the French sailors who brought music to the Americas, 'muzette' - from Brittany - is the predecessor to rock'n roll.
Before you make any grand assumptions, do make sure that you have the full overview of these matters. I strongly disagree with what you wrote on GaBlé. Your review reads like a typically ignorant Johnny Vegas remark.
I hope the Brits soon stop making these hilarious remarks about France and The French. It has really reached the point of pathetic francophobic frustration.
Plastic Bertrand, TTC, Manu Chao, Les Negresses Vertes, Les Dogs, Les Calamités, Françoise Cactus (of Stereo Total), Daft Punk, Laurent Garnier, dDamage, Melodium etc etc.
This review reminded me of a bloke who once claimed that only the British know sarcasm. He didn't understand a single word in a foreign language however, let alone that he'd understand Boris Vian or Coluche.
Oh well, kindly send me that EP. I'll probably love it to bits.
GaBlé is one of the biggest surprises I've heard so far this year and they deserve much better than the usual frog-slagging. There is no common consensus unless you exclude the successes of Daft Punk, Manu Chao and alike.
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